I have a few works which will be shown in the 2011 Streaming Festival

Streaming Festival
6th Edition
1-18 December 2011 

http://www.streamingfestival.com

Opening: 1 December 2011
Het Nutshuis
Riviervismarkt 5, 2513 AM
The Hague, The Netherlands

I have a work in this show curated by Pieterjan Grandry of Crap=Good

Thursday, 10 November - 30 December 2011

The first exhibition opens the 10th of November at 18.00 in 'Ten Prinsenhove', Koningstraat 8, 2000 Antwerpen

At 19.00 an opening speech by Annick Schramme and some live music by Newton at 19.30

http://www.crapisgood.com

"Since the invention of the animated gif in 1987 the moving image became a well spread fact on the internet. Today, more and more the Gif is experiencing an upraise in popularity and even entering the field of Art.

The animated Gif was invented in 1987, which makes us wonder if there is a Gif today still looping since then. Seeing there is no record of the longest playing Gif, this 'competition' and communal exhibition will mark the start of the loop."

21-27 October 2011

La Noire Galerie - Hors-les-murs
47, rue Popincourt, 75011
Paris, France

http://www.blitz-expo.com

MATHIEU CENAC PRÉSENTE 
« LE SOCLE C’EST AUSSI POUR MOI UNE PROBLÉMATIQUE »

Anthony Antonellis (web)
Lindsay Lawson (vidéo)
Camille Le Houezec (édition)
Guthrie Lonergan (vidéo)

Impulse 101 will be exhibited at GLI.TC/H 20111

GLI.TC/H

Chicago (Nov. 4-6) and Amsterdam (Nov. 11-13)

GLI.TC/H is an annual international noise && [dirty] new-media event / conference / symposium / festival / gathering for artists, thinkers, performers, makers && breakers

Unsustainable Shape is headed to Maine.

BYOB 5caaarr3d &/ PR0f4nee, Peaks Island, Maine

October 15, 2011

Featuring!

Helen Adamidou helenadamidou.tumblr.com
Anthony Antonellis anthonyantonellis.com
Kim Asendorf kimasendorf.com
Emilio Gomariz emiliogomariz.net
Rollin Leonard rollinleonard.com
Lorna Mills LornaMillsImageDump
Hendrik Niefeld hendrik.de.com

More here: http://5caaarr3d-amp-pr0f4nee.tumblr.com

Video by Rollin Leonard

My works putitonapedestal.com and beholdbehold.com were curated into the Rhizome ArtBase at the New Museum.

Put it on a pedestal: http://rhizome.org/artbase/artwork/53270

Behold behold: http://rhizome.org/artbase/artwork/53318

My work is now online in the Group GIF Show "Friends" at Fach & Asendorf Gallery

http://fa-g.org/ggs-friends

--> GIF GROUP SHOW --> friends 

UBERMORGEN.COM, Emilio Gomariz, JK Keller, Rick Silva, Michael Manning, Jerome Saint-Clair, Martin Böttger, Anthony Antonellis, Brandon Blommaert, Dataswitch, Rollin Leonard, Dylan Fisher, Lukasz Karluk, Corentin Héraud, Johnny Crab & Samantha Harvey.

Fach & Asendorf Gallery
Internet, Stuttgart, Kassel
 

BYOB São Paulo / ®NOVA Closing Party
29 October 2011 @ 20h00

Cinemateca Brasileira
Largo Senador Raul Cardoso, 207
São Paulo, Brazil

http://rojo-nova.com/
http://www.byobworldwide.com/

Curators: Rafael Rozendaal, Yoshi Sodeoka, David Quiles Guilló. Artists confirmed: Rafael Rozendaal, Max Hattler, Clemens Behr, E*Rock, M4Sk 22, Simon Woolham, John Hyatt, Beth Wexler, Yoshi Sodeoka, Veronica Luyo, Lucia Zapata, Noriko Okaku, Igor Shin Moromisato, Abstract Birds, Catherine Genest, Fernando Visockis, Rosa Menkman, Alexandre Rangel, Anthony Antonellis, Joymar Castro and Marcelo Fontes, Sara Ludy, Emilio Gomariz, André Damião Bandeira, Jorge Schutze / Cia.Ltda, Samantha Marie, Renato Atuati, MOMO, Sophie Gateau, Sabrina Ratté, Jeffers Egan, Cristopher Cichocki, Alex McLeod, Jan Goldfuss, Carolina Melis, Mark Jenkins, Boris Hoppek, Jimmy Joe Roche, Biosfear, A.Bill Miller, Victor De La Rocque, 310k, Sergei Sviatchenko… Live mix of all video’s audio: David Quiles Guilló, Renato Baractho.

Video courtesy of Alexandre Rangel

August 27th 9 pm – 2 am

internet-cafe Bordeaux
Schonhauser Alle 52a
10437 Berlin, Germany

http://speedshow.net/speed-show-becoming-not-being/

“Becoming, Not Being” is in reference to flux, change, turbulence, evolution, emergent phenomena, consciousness and the Internet. It’s a way of thinking of ‘non-selfhood’ and an openness to change and flexible notions of self and other. It is a model of thought in which travel and movement, rather than destination and place, become areas of investigation. The world is in constant flux, which creates infinite opportunities for discovery and rebirth. There is no empirical objective structured reality in which we live, but rather fluctuating interference patterns and fractaling levels of consciousness and thought which are constantly forming and dissolving like flocks of birds. These spiritual notions of impermanence, non-selfhood and interconnectedness are analogous to the structure of the Internet and the ways in which it has transformed, and will continue to transform human consciousness. I have asked participating artists in “Becoming, Not Being” to consider the title of the show and interpret it freely as they see fit.
- Sterling Crispin

Participating Artists

Attending was a series of four art salons initiated by Hendrik Niefeld and Ronny Szillo at the Essential Existence Gallery in Leipzig, Germany.

Inspired by Rafaël Rozendaals BYOB format every salon consisted of an few hours lasting exhibition of projected artworks. The four exhibitions featured eight artists per evening, each showing one work.

Visitors and artists could attend the salons and featured exhibitions IRL or online via Ustream, as well as the G+ Hangout.

Participating artists have been asked to invite one other appreciated artist to the following exhibition.

Attending

a.ttending.com

25.08. - 01.09. - 08.09. - 15.09. - 2011

first salon - august 25

Artists
Anthony Antonellis
Bea Fremderman
Burkhard Beschow
Francoise Gamma
Hendrik
Jeffrey Henderson
Paul Philipp Heinze
Ron Nuyork

Impulse 101 (an installation, half painting/half internet) by Anthony Antonellis will be installed in Galerie Eigenheim during Extend.fm. The installation will be powered up for the 4 July performance at 21:00. More details below:

Alma Alloro - Extend.fm Eröffnung mit Performance am 04.Juli 2011 um 21 Uhr, Ausstellungsdauer bis 10.Juli 2011

Extend.fm ist eine Hommage an das Radio, Pop Musik und den Modernismus. Es ist eine Musik-Performance und Kunst-Installation, die in der Galerie Eigenheim in Weimar stattfindet.

Die Installation besteht einerseits aus einem Monument aus alten Radios als Ausgangsmaterial und andererseits einem einmaligen Event: Das Radio-Monument wird aufgenommene Live-Music von Bauhaus FM (106,6 Mhz in Weimar) empfangen, die der Künstlerin Alma Alloro als Playback für ihre Performance dient. Das Radio-Monument selbst ist nach der Live-Performance noch für eine Woche in der Galerie zu sehen.

English:

Extend.Fm is an humage to radio, pop music and modernism. It is a music performance and an art installation, taking place in Eigenheim Gallery, Weimar.The installation consists of a monument made from old radio receivers as a ground material and a one time event. In the event, the radio monument receives pre-recorded live music from the local radio station in Weimar- Bauhaus FM (106.6 fm) which will be used as the playback for the musical performance held by Alma Alloro. Before and after the performance the radio monument will stay in the gallery space for a duration of a week.

Alma Alloro is an electronic performer stitched to an installation artist; she an 8-bit Rainbow Bright who rides around the art world with an army of misfit toys blasting a medley synthesized beats.

Introduction

I have discovered the existence of time travelling bandits who steal your original thoughts. They download your files and images, sift through your newest ideas and return with them to the past. They spend years developing and articulating these ideas, using them to give lectures and to write books and essays. Decades, sometimes centuries, later you will discover your ideas in these books and realize what has transpired. At least that is how I like to imagine it happens.

When discovering your writings and artworks have already been done, often in better and more developed versions than your own, it is easy to become discouraged. Instead of feeling like a bad photocopy, I have decided to treat this experience as validating, as being on the right track.

Impulse 101 is a story about art, the internet and everything.

This story is a bus ride from cave painting to post-internet art; along the way it stops to pick up important passengers such as perfectionism, science fiction, minimalism, technology, interactivity, and generational theory. It is a relatively chronological narrative beginning with the evolution of art institutions, the development of the contemporary gallery, and conflicts regarding audience. The story ends with the unification of the preceding topics and the transition from artistic contemplation to erudition which ultimately manifests in a specific approach to art making.

This essay was written with a degree of user-friendliness in consideration of a broad readership.

Wappen is a concept for an exterior installation on the Kammer der Technik building which houses the art space Weltecho.

Wappen, or coat of arms, identifies Weltecho as a citadel of the art world. In place of a shield, this coat of arms holds an icon which takes form only after an act by the observer.

The installation is 10 x 10 meter sign mounted on the northern façade. The shape of the sign forms a white cube. The white cube is depicted as a three-dimensional representation of a tesseract, or hypercube. Its contours are defined by retroreflective sheeting; the image becomes revealed or obscured contingent on ambient light.

A white cube is a term used to describe a contemporary gallery or art space; the white cube houses art objects and presents the viewer with a void for the unadulterated reception of artwork. A white cube provides a timeless space; furthermore the burdens of its physical location and influence of the exterior world are diminished. Not all art spaces conform to this white cube classification, nonetheless identifying a location as a white cube readily conveys the underlying archetype. Like a flag driven into a mountaintop, the emblem of a white cube on the building brands the Kammer der Technik as an art space.

In Wappen, the depiction of the cube is shown as a hypercube; this image extends the metaphor of the white cube into four-dimensional space. As we are bound to three-dimensional space, we cannot directly experience the fourth dimension. Like the arts, the abstract concept of the fourth-dimension cannot be held or touched and is only made material when imagined. 

Press

http://issuu.com/antonellis/docs/weltecho_fpchemnitz_20112201?mode=window&viewMode=singlePage&backgroundColor=%23222222

“Anbau”

18 international artists present art and architecture models for the Weltecho Chemnitz

Opening event:
January 21st, 19:00.
20:00: live music by the Pentatones (Weimar). 

Duration:
January 22 – February 25.
Opening hours: Wednesday-Friday, 17:00-21:00 (or by appointment). 

Address:
Weltecho, Annaberger Str. 24
09111 Chemnitz

For more information: http://www.weltecho.eu/showDetails-3997.html